and Calman 
Are you following Pacino with a ProRIG? Tracking the shot around the bend at the Indianapolis 500? Maybe filming from a crane at the winter games? If any of these situations sound familiar, you already know that Boland has built a reputation for reliability among steadicam and camera operators, jib, and crane professionals.
Available with 4:3 or 16:9 aspect LCDs (with LED backlights), in sizes ranging from 7” to 32”, our monitors built for these specific uses offer up to 1,500 nts of brightness, extra wide off-axis viewing, adjustable safe area frame markers, and a whole host of other professional features not often found on other broadcast monitors.
All of these models are available as DayBrite varieties and feature HD SDI, HDMI/DVI, and Composite inputs, as well as SMPTE Rec. 709 color calibration, Gamma and Color Temperature onboard adjustments.
