and Calman 
The following was originally published on Sports Video Group on July 21, 2026. Read the original article at sportsvideo.org
When NEP designed one of its largest recurring mobile production unit fleets for PGA TOUR coverage, the leading media services provider faced a familiar challenge: creating a monitoring environment that would deliver uncompromising image quality while surviving the realities of life on the road.
The nine-trailer production unit supports weekly PGA TOUR events across the country, with responsibilities split between traditional network broadcasts and the TOUR’s own productions, including ESPN+ REMI workflows.
The production control area features a large monitor wall comprised of 29 Boland 31-inch OLED HDR displays. According to Dan Turk, CTO of NEP Americas, creating a monitor wall of this scale required more than selecting displays with excellent image quality. Each monitor had to perform flawlessly on its own while matching every other display in the wall.
“We needed monitors that could deliver accurate, repeatable performance every week while standing up to the demands of a mobile production environment,” says Turk. “These mobile units travel thousands of miles each year, and that kind of constant movement is something many displays simply aren’t designed to handle.”
The monitor wall serves as the production team’s primary visual reference, making color consistency across all displays essential. Even small calibration differences can become distractions during a live production where operators must make immediate decisions.
“Not every display manufacturer understands what live production teams expect from professional monitoring,” adds Turk. “When you’re building a large tiled monitor wall, calibration and consistency are critical. The last thing you want is a wall where monitors look slightly different or require extensive tuning before you can put them into service.”
Turk says one advantage of the Boland displays was the confidence they provided immediately after installation.
“We were able to take them out of the box, install them, and trust that the images would be correct,” he adds. “That saves time, but more importantly, it builds confidence with operators who rely on those displays during live broadcasts.”
HDR performance also played an important role in the decision. With support for the Rec. 2020 color space and 1000-nit HDR capability, the monitors provide production personnel with an accurate representation of HDR content rather than requiring operators to estimate how signals will appear farther down the production chain.
“In live sports production, reliability and consistency are paramount,” Turk says. “We don’t have the luxury of fixing things later. That’s why confidence in monitoring is so important.”
Beyond image quality, the installation required practical engineering solutions tailored to mobile production. Broadcast trucks face severe space constraints driven by both vehicle dimensions and DOT regulations, while equipment must also withstand years of vibration on the road as the truck moves from venue to venue.
Boland worked closely with NEP to address both challenges through custom metal mounting solutions that ruggedize the displays while minimizing bezel spacing to create a nearly seamless monitor wall.
“Working with Boland goes beyond selecting products from a catalog,” Turk says. “It’s a collaboration with people who understand broadcast engineering and the challenges our customers face every day in the field.”
The success of the PGA TOUR installation is already influencing future NEP builds. The company is currently deploying a similar large-scale monitoring environment in a new production unit supporting Turner’s NASCAR coverage, this time incorporating Boland’s latest QD OLED display technology to further enhance HDR performance.